Tag Archives: creativity

The Unsubscribe Button is a Delusion: Survival & Concession as a Single Woman of a Certain Age

I’ve been contained in a valley of Wi-Fi, 5G, and visible spectrum shadows for five days. I can walk a few blocks to get a signal and walking is good for me, but I decided walking for that purpose was less beneficial. I’ve checked in with my brother and my daughter a few times, checked email, made additional arrangements for post-PA campgrounds, but largely avoided social media.

Sitting quietly this morning awaiting my Moka Pot coffee, I looked through downloaded email.

I thought I unsubscribed from this company.

Yes. Yes I did. And I have been patiently unsubscribing from email ads for weeks. Sometimes repeatedly. I have determined it is a lost cause. That effort is a scam; a method by which to inform the company that I am still here and still seeing their annoying emails despite my desire otherwise.

What’s the definition of insanity, again? Doing something over and over despite getting the same result?

I have spent every evening since I got here attempting to write both poetry and blog entries.

Insanity.

I’ve written some truly awful poems.

I’ve written some fairly tight blog posts; posts that were well-framed, clear, concise, and led to a meaningful and valid conclusion.

Unfortunately, each post was a deep dive into the loneliness and anxiety that this valley has exacerbated. I had hoped this time away from social media would be healing. I had hoped freeing my mind of the outside world’s concerns would allow me to address my own. The latter is true. The former is not.

Stuck in my own thoughts, without the words, images, and outright agony and stupidity of the outside world, all I could see was everything I have ever done wrong and the end of my road coming sooner rather than later.

Each post morbidly reflected this. I was, in a word, done.

For the first time since my marriage, I was thinking of a way out. Not just passively wondering if I wouldn’t awaken but actively writing goodbyes.

People in my life do not, cannot, grasp the tenuous hold I have on sanity and self-esteem as a result of being told, both in word and deed, for thirty years that my only real value was in being half of another person.*

They do not, cannot grasp how this impacts everything I do or don’t do. That to say, “I won’t feel insecure about my talent or intellect,” is as pointless as repeatedly hitting that unsubscribe button. My history is as tenacious as those repeated emails, bashing me daily with reminders of what I should want and do with my life and what I gave up.

I do not have an answer. Hiding in a connectivity desert is, apparently, life threatening. That much I have determined. Trying to unsubscribe from my thoughts and history is a waste of effort.

The pat answer is “get out there and grab what you want.” When your hands have been tied with worthlessness for twenty-three of thirty years and with training against and emotional beating for being independent the entire thirty years, how do you just magically slip those bindings and grab?

So, here I am, yet again, struggling with purpose, pointlessness, and isolation. Hitting “unsubscribe from this insecurity?” like a lab rat hitting a reward button.

Insanity.

* To be fair, to ask people to understand this when I do not reveal details of my relationship is probably a bit much. It doesn’t sound like a big deal. Lots of people believe “two become one.” How is that so bad? I will not detail that here, however. This blog isn’t about him.

To Sea: Feet & Hope in the Surf

Most places I go these days are places I have never been, but are, nonetheless, familiar in their character. However, this latest stop feels monumental to me.

I wasn’t really aware of where I was at first. I was just driving to the next town and the next space in which to park Blanche & Betty.

I decided to check the weather report when I arrived and in so doing realized I am minutes from the eastern coast of the United States. I suppose, in my head, I had placed this region along the Gulf Coast. In my perception, the idea of crossing four states and going “only” 1050 miles vs the 900 miles I drove from Houston to New Mexico, had taken so long and been so piecemeal and cautious that I’d lost track of where I was going. I was so busy connecting dots, I lost sight of the big picture.

What an odd sensation to wake up (mentally) and realize you have gone from one coast (albeit the middle coast) to another coast rather haphazardly and unwittingly.

“Haphazardly,” because during the winter months, I had the luxury of driving and just stumbling on a place to stay without putting much thought into it (that has evaporated with spring break and the summer months ahead).

“Unwittingly,” because my mind has been so preoccupied with grief and depression and love that I neglected to be fully aware of my surroundings much of the time. In the last park I was largely in an emotional fog that was punctured only occasionally by calls from family and a friend.

This coastal RV resort is crowded, snugly packed, heavily canopied with trees, too close to a significant road (although that has grown quieter as night wears on), and full of other dogs to keep Sammy in a constant state of crazy.

Still, I feel like I’ve come to life for a moment, hopefully several moments. I want to work. I want to breathe and accomplish things. Two days ago, I didn’t care if I didn’t wake up at all much less metaphorically.

Nothing has changed. I’ve had no grand revelations. I don’t feel any different about my skill set, my desire for companionship (or lack thereof), nor my relationships as they stand. Dog is still a huge pain in the backside when he sees other dogs. I still have repairs to make to Blanche that can’t be made immediately. I still have allergies kicking my ass. My heart is still tangled.

But I feel—

What’s the word?

Hopeful?

Perhaps it’s the bustle around me. People doing things and living and not just on the road to doing or sitting out at a campfire (perfectly fine things to do, mind you). This is a park full of short and long-timers and the long-timers make it feel like home with potted plants and dog pens. There’s a strange comfort in that.

It could be just the Atlantic Ocean whispering to me from a few miles away. Perhaps the very thought that I can drive just a little while and put feet in salt water again, different salt water, and say, “I am here. I made it. I didn’t crumble between there and here, though it got damn close. Yay, me!”

Pier on a Georgia Beach

Writing in a Mobile Age: A Dinosaur Learns a New Trick

I am fifty-seven. I grew up in a time of pencils, ballpoints, fountain pens, and typewriters.

I have, in the past, used (preferred) pencil or pen on legal pads to compose stories or poems. I felt that push and pull of the writing instrument on the page to be inspiring and rewarding.

In recent years, I would hear about young people composing entire chapters of novels on their phones and think they were absolutely insane. How can you track, mentally and mechanically, your ideas on a tiny screen? How can you be connected to your words and their taste, smell, texture, when you are clicking on glass that has almost no tactile feedback at all?

Then, in 2019, I had a crisis in my twenty-nine year marriage and couldn’t sit still. Couldn’t watch tv. Couldn’t read a book. Couldn’t write a letter. Yet, the emotions of the crisis were vast and overwhelming. How do I deal with them?

I picked up my phone one day while out on the deck overlooking the beach and allowed my thumbs to skip over the glass.

In moments, I had the first poem I had written in years. The next day, another. Then a blog entry. Then another. Then more poems.

So many words I had contained for months (in some cases years) were spilling out of me. I was feeling, if not full relief, at least not so bundled up in pain.

I was surprised at just how much I connected with the words. How quickly they fell onto the screen and how cleanly they fell. At times, they felt (and still feel) much like they had in my youth, as if I was not the one writing them at all but some greater force had taken over (and I am not the spiritual sort).

I still write with my pens and pencils. I edit with my favorite fountain pens and bright, cheerful inks. However, the best flow comes on the little 3”x 6.25” computer in my hand.

This blog entry began its life just so. All my blog posts now begin and are fleshed out on my phone, move to my laptop, are sometimes printed for review/editing, then are posted.

Somehow, it connects. Somehow, I still sense these words as I did when writing with pen and paper. I still feel as linked to the words, ideas, and emotions as I ever did through a nib on fiber. I am a bit humbled by this realization. I am fifty-seven and I have been forced to recognize that art is not lost or bastardized in or by technology despite the protests of many of my generation (I am on the Boomer cusp). At the same time, I hope this also shows that we are not all floundering dinosaurs, insisting that “the old way is best.” Nor is the new way superior. It’s the typewriter vs. computer argument of old which was once the pen vs. typewriter argument. And that was once the quill vs. fountain pen argument.

Ultimately, the way that works best is the way that works for the individual in the moment. When my heart was calmer I could sit in a quiet room with those seemingly gentler implements and “compose.” Now, in this moment of my life, my heart is panicky and wild and my thumbs need to spatter my creations across the glass instead.

Art & Grief: Finding the Perfection in the Imperfect

biscornu1_2

What is that odd-looking, white object in the picture? What does it have to do with grief or art? What have grief and art to do with each other and why am I writing (struggling to write) this at this moment?

That object is a biscornu which, if I recall correctly, is French for “quirky.” These objects at this size are mostly used as pin cushions and the one in my photo is indeed a pincushion made using traditional Norwegian Hardanger embroidery techniques (as opposed to modern techniques).

As to what it has to do with art and grief:

A few months ago, I struggled with my writing process and wrote about it here. You can see in some truly helpful comments that it was suggested that I exercise my creative mind through other art forms. I thought this an excellent idea although I am the furthest thing from creative in any other way other than writing. I can’t draw a straight line, I failed miserably at the various doodle crafts, and I have long since given away my sculpting supplies because I would have to invest in learning how to do it rather than winging it. I do, however, love to do Hardanger embroidery. I thought I could perhaps design my own.

I can’t. So, I gave up.

2018 waned and my writing continued to stutter like a lawn mower in overgrown St. Augustine. The holidays arrived along with the U.S. government furlough including much time for my husband and I to spend together. I decided to try “new to me” traditional Hardanger as a creative endeavor and to make a Christmas gift for someone, the above biscornu.

Through all of this, the Big Blind Dog was lumbering through his days and nights, taking his medications dutifully, eating heartily, begging for scraps always, peeing the Niagara (diuretics), and growing that snore-and-sniffle inducing lump on his cheek without complaint. He and I sat on our couch together, tv on and spewing the horrors of Investigation Discovery or tv off and only the Gulf waves in our heads. Occasionally my husband left his cave, poured a soda, gave the old gray snoot a pat and a biscuit, gave me a kiss, and wandered back into his hideaway.

I stitched.

I stitched and the dog snored and life was sweet and warm. I finished the biscornu and in all those stitches and waves and snoring came words for the page and these pleasant, if bittersweet, blog entries here and here. Writing was a thing again.

Then I looked at the biscornu and really saw it. I’d failed. While it was pretty, it was wrong. Something I’d planned from the beginning that could not be undone was a major flaw within it. Others couldn’t really see the flaw but I knew it was there. It ate at me.

Finally, rather than wrap it with other Christmas gifts, I decided I would keep it. Better to make a better gift for that person later—something not so obviously flawed, even if only to my eyes. I left it on my desk with a mix of sadness and disgust.

We packed up and went to see family out of town and had a perfectly nice visit.

And on the morning we were to return home, we awoke in our usual hotel room and our beautiful, sweet, old Big Dog with his one great flaw, his useless eyes, had left us.

Somewhere in his dreams, he decided he’d had enough of being lifted and guided and medicated and diapered. Somewhere in his sleep he’d decided those last pets from family, the last sniffs of our granddog, the last bites of Woody’s barbeque beef, and his favorite dog biscuits were a good note to end on.

So it goes.

Twelve and a half of his thirteen years.

And a five-hour drive of tears and emptiness and silence.

And furtive momentary pats to the still form in the back seat as if he would miraculously come back to us.

When we arrived home that evening and I walked into our office, there was the biscornu, that silly, imperfect thing, and I realized why the Universe had me keep it. Nothing at all to do with its imperfection—an imperfection I no longer see—and everything to do with the fact that it is a symbol of those long luxurious days next to him, his paws pressed against me. Of those last few days when he’d taken to lying with his head on my leg as he had when he was younger, as if he was trying to tell me goodbye. I wondered then, but had chosen not to be certain.

I am grateful for that time.

I am grateful for that quirky object I kept that had a major flaw, like the flaw of the Big Dog’s blindness. Flaws that are visible but meaningless in the grand scheme of things.

Now, the biscornu is perfect in that it reminds me of him. He was perfect in his love.

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Our Beautiful Yao Ming. Big Dog. Boo Boo. Young and happy.

[I present this, not in a bid for sympathy or mere cri de coeur, (okay, maybe a little of those) but an honest solicitation for advice. You don’t have to be a writer or artist of any kind, I think, to perhaps have valuable input here.]

I have forgotten how to create fiction. Not the mechanics, though surely those are rusty and weak, but the soul and flow of my creativity are lost. I’ve watched them wash away like sand castles.

There are myriad reasons why this is the case and most don’t really matter (in terms of fixing the problem, that is). It only matters that it has happened.

I have forgotten how to open myself to the world, to pain, to the darkest, dankest crevices of my mind and spirit. I’d even stopped reading fiction because it made those things more accessible and frightening. Reading fiction made me feel and think, so I shrank from it. I am, at least, reading again, if only in snippets, and taking care not to feel and think.

Even if I could allow that stuff in, I wouldn’t know how to let it coalesce into something creative. I’ve lost the ability to sit in a quiet room or in nature and allow life to bounce around me until a story finds its way through my pores or percolates up from my gut. Instead, those moments of potential reflection and processing are met with trepidation followed by a mad grasp for an electronic device or the television remote. Barring “screen time,” I allow my thoughts to wander only to the most basic concepts: survival, future concerns, chores, loss, loss, loss.

These things cloud my head (with my permission) like a perpetual flu. If I were an addict, I could blame drugs or booze, but my addictions are the 3 x 5 screen in my hand and the constant reexamination of pain and rage. Better to binge on pixels and past hurts than to leave the chasm in my brain agape because I simply can’t properly fill it. The ability to simply be and think: lost.

Standing in the bubble of another human’s existence, attempting to feed off and gauge their being and psyche, then pull it like wool into fine thread I can weave into a fabric of character: lost.

Voices are just noises. Faces, mere images. Fragrances and textures are just smells and surfaces. My senses that once served me as a creator: lost.

I could chalk much of this up to age, disease, grief. Be done with it. Move on. I’ve lost other things. Much harder losses. Things I will never get back. Suck it up, Buttercup. But it is exactly because my creativity has always sustained me in my life that I need it now in the face of those other losses. I have good things in my life, but I still need this. I need to be a whole me for my family and the whole me is the one that writes. If I can’t find my way back to KC the writer: lost.

lost